How to choose a personalised print

If you are a wildlife lover, a keen walker or just simply love the places you’ve visited or where you live, our curated collection of personalised wildlife map art is just the thing for you.

All of the prints can be tailored to make them unique to you, choose from one of our British wildlife designs, choose the colour from our special palette and finally the specific map you would like.


We currently have 24 different designs to choose from

We select specific vintage maps for their age and rich, varied colouring. Hilly areas have warmer brown colours, and the flatter areas in the UK have a greener colouration. These old maps are over 70 years old, the beauty is in their colour and visible signs of age.

The process for ordering a bespoke print is very simple. Just decide on these three options.

It takes approximately 10-14 working days - your design will be giclee printed professionally by our fantastic local printer in Holmfirth.

What is a giclee print?

An archival quality art print which will not fade over time meaning it can be treasured for many years.


These bespoke prints make the perfect gift for nature lovers, walkers, adventurers and everyone in between and I love making them for you.


The making process - papercut collages

Over the summer of 2024 I set about to make a collection of small collages. The aim was to use only what I had within my studio and a set of six beautiful handmade papers from my local art shop Calder Art Supplies. This is not an ad, I love this shop, it’s been part of my life from a young age so it was a nice process to create a collection where materials from the shop played such an integral part.

I often struggle with overwhelm when embarking on something new and time-sensitive. This collection was for Holmfirth Artweek so a very definite deadline was set. I overcame the overwhelm by setting the parameters of the materials and a conscious decision to enjoy the process and work on a small scale.

I have banks of materials just sitting in boxes tantalisingly around the studio waiting for me to cut and arrange into collages. I create surface textures and patterns by painting and printing onto card and use these to cut out silhouettes and shapes. I loved the layering of the more translucent handmade paper and how various effects are acheived by overlaying it onto some of the surface textures creating depth in the pieces. Colour and composition are vital in such simple papercut collages, this is what I tend to focus on and assemble lots of variations before finally using adhesive to finalise the piece.

I found the enjoyment far exceeded my expectations and it shows in the work, they feel cohesive and not overworked to me. What do you think?

Many of these mini collages with the circular mount are for sale right here on the website, I would love to know which ones speak to you and if you buy one, I’d love to see where it finally ends up. I might keep one or two myself as a reminder to just trust the process and enjoy it.

Exploring Copper Mines in the Lake District

Trying to coax a very tired six-year-old up Coniston Old Man didn’t get off to the best start. However, by the time we reached this plateau and river bed full of discarded rubble from copper mining, my daughter was fully engaged with the landscape and elements surrounding her.

And so was I….our landscapes are often so altered yet we see them as ‘natural’. The copper mines above Coniston in the Lake District are a stark reminder of how industry can scar a landscape. It was fascinating. The large rock I’m holding below was almost completely composed of metal. Dangerously sharp around the edges and heavy.

Is a rock still a rock if it’s mostly composed of metal? Geologists please advise..

There’s so much beneath our feet.. which reminds me of a great book by Robert Macfarlane called ‘Underland’ which is all about the subterranean. I highly recommend it.

“As we have amplified our ability to shape the world, so we become more responsible for the long afterlives of that shaping. The Anthropocene asks of us the question memorably posed by the immunologist Jonas Salk: ‘Are we being good ancestors?” Robert Macfarlane, excerpt from Underland

What is the Anthropocene?

adjective: Anthropocene

  1. relating to or denoting the current geological age, viewed as the period during which human activity has been the dominant influence on climate and the environment.

    "We've become a major force of nature in this new Anthropocene epoch"

noun: Anthropocene

  1. the current geological age, viewed as the period during which human activity has been the dominant influence on climate and the environment.

    "some geologists argue that the Anthropocene began with the Industrial Revolution"

Sundews - Drosera rotundifolia

As my child and husband decided they were going to build a dam, I resigned myself to not continuing upward, instead turning my attention to the land beneath my feet. Scouring the rocks to find shapes and colours of interest, I noticed these perfectly tiny plants. I had an inkling they were carniverous and possibly sundews. A little googling has confirmed that is probably what they were. Aren’t they amazing? The flower heads are about the size of a garden pea, so small and perfectly nestled amongst the rocks.

Looking up towards the fells, Coniston Old Man (in cloud) to the left, the YHA and rubble heap just in the centre

The first part of this walk up from the centre of Coniston is great with kids and this area near the youth hostel is great for exploring. We made another push for it up Coniston Old Man but sadly didn’t reach the top. Too far for little legs that day and it was in cloud too.

However, the pull I felt to get up there was strong. So strong I’m considering going back, maybe on my own or with a companion to climb up to the summit.

Fells and mountains are powerful places and I hope to encounter them more and more over the years to come. Hopefully encouraging my daughter to foster a love for them in the process, just like my Dad did for me.

Coniston Old Man viewed across Lake Coniston from John Ruskin’s house


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